Tuesday, September 1, 2020
Russians Again Targeting Americans With Disinformation, Facebook Says
By BY SHEERA FRENKEL from NYT Technology https://ift.tt/3lEdEb0
Twitter Hack May Have Had Another Mastermind: A 16-Year-Old
By BY NATHANIEL POPPER from NYT Technology https://ift.tt/31OxrNi
Trump Spread Multiple Conspiracy Theories on Monday. Here Are Their Roots.
By BY DAVEY ALBA AND BEN DECKER from NYT Technology https://ift.tt/3jAsv4G
Twitter to Add Context to Trending Topics
By BY KATE CONGER AND NICOLE PERLROTH from NYT Technology https://ift.tt/3jBuOV6
Monday, August 31, 2020
Facebook Could Block Sharing of News Stories in Australia
By BY DAISUKE WAKABAYASHI AND MIKE ISAAC from NYT Technology https://ift.tt/32KSNdo
Wikipedia article of the day for September 1, 2020
The Wikipedia article of the day for September 1, 2020 is Vespro della Beata Vergine.
Vespro della Beata Vergine (Vespers for the Blessed Virgin) by Claudio Monteverdi is an extended composition for the evening vespers on Marian feasts, printed in 1610. The composer set the usual Latin psalms and Magnificat, but also solo concertos in the style of the emerging opera. The ambitious composition, which uses traditional Gregorian chant as cantus firmus, is scored for soloists, choirs of up to ten parts, and orchestra. Monteverdi wrote it when he was maestro di capella in Mantua, where he served as musician and composer for the Gonzagas, the Dukes of Mantua. He had it printed in Venice, with a dedication to Pope Paul V dated 1 September 1610 (pages from a copy pictured). He then travelled to Rome to deliver it to Pope Paul in person. Monteverdi became director of music at San Marco in Venice in 1613. His Vespers represent a milestone of music history at the transition from Renaissance to Baroque styles.
Vespro della Beata Vergine (Vespers for the Blessed Virgin) by Claudio Monteverdi is an extended composition for the evening vespers on Marian feasts, printed in 1610. The composer set the usual Latin psalms and Magnificat, but also solo concertos in the style of the emerging opera. The ambitious composition, which uses traditional Gregorian chant as cantus firmus, is scored for soloists, choirs of up to ten parts, and orchestra. Monteverdi wrote it when he was maestro di capella in Mantua, where he served as musician and composer for the Gonzagas, the Dukes of Mantua. He had it printed in Venice, with a dedication to Pope Paul V dated 1 September 1610 (pages from a copy pictured). He then travelled to Rome to deliver it to Pope Paul in person. Monteverdi became director of music at San Marco in Venice in 1613. His Vespers represent a milestone of music history at the transition from Renaissance to Baroque styles.
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