Friday, November 13, 2020
Here’s how often election fraud has come up on right-wing radio talk shows.
By BY NATHANIEL POPPER from NYT Technology https://ift.tt/36wjTah
DoorDash Reveals I.P.O. Filing
By BY ERIN GRIFFITH AND PETER EAVIS from NYT Technology https://ift.tt/35rvasV
Beware of this misinformation from ‘Stop the Steal’ rallies this weekend.
By BY SHEERA FRENKEL from NYT Technology https://ift.tt/2UoTt4x
Beware of this misinformation from ‘Stop the Steal’ rallies this weekend.
By BY SHEERA FRENKEL from NYT Technology https://ift.tt/3ltMZ01
No, Dominion voting machines did not delete Trump votes.
By BY JACK NICAS from NYT Technology https://ift.tt/3f31oOv
Thursday, November 12, 2020
Wikipedia article of the day for November 13, 2020
The Wikipedia article of the day for November 13, 2020 is Edward Thomas Daniell.
Edward Thomas Daniell was an English artist known for etchings and Middle Eastern landscape paintings. Taught by John Crome and Joseph Stannard, he is associated with the Norwich School of painters, who were mainly inspired by the Norfolk countryside. After graduating in classics at Balliol College, Oxford, in 1828, he was ordained as a curate in 1832 and appointed to a curacy in London in 1834. He became a patron of the arts, and a friend of the artist John Linnell. In 1840, after resigning his curacy and leaving for the Middle East, he encountered the archaeological expedition of Charles Fellows in Lycia, and joined as their illustrator. He contracted malaria and died from a second attack of the disease. He normally used a small number of colours for his watercolour paintings; his distinctive style was influenced in part by Crome, J. M. W. Turner and John Sell Cotman. As an etcher he anticipated the modern revival of etching that began in the 1850s.
Edward Thomas Daniell was an English artist known for etchings and Middle Eastern landscape paintings. Taught by John Crome and Joseph Stannard, he is associated with the Norwich School of painters, who were mainly inspired by the Norfolk countryside. After graduating in classics at Balliol College, Oxford, in 1828, he was ordained as a curate in 1832 and appointed to a curacy in London in 1834. He became a patron of the arts, and a friend of the artist John Linnell. In 1840, after resigning his curacy and leaving for the Middle East, he encountered the archaeological expedition of Charles Fellows in Lycia, and joined as their illustrator. He contracted malaria and died from a second attack of the disease. He normally used a small number of colours for his watercolour paintings; his distinctive style was influenced in part by Crome, J. M. W. Turner and John Sell Cotman. As an etcher he anticipated the modern revival of etching that began in the 1850s.
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